«With "Cariatide" I wanted to dissolve the boundary between the fluidity of the body and the rigidity of stone, merging them into a single visual score. The figure does not merely occupy the space, but becomes architecture itself: the flesh’s sinuous curves echo the marble's severity, while the room's twilight acts like a sculptor, shaping volumes into a delicate high-relief. In this suspended space, body becomes column and building turns to flesh. It is a timeless, poetic dialogue, a meeting point where the fragility of the ephemeral and the strength of the eternal become one.»