Modernity quickly invaded the history and culture of Iranian architecture. And during this period of transition, some buildings suffered a strange condition. They combined the previous nature with modern signs and what emerged was an Iranian grotesque. But beauty was the dominant element. What was not destroyed and digested plastic, metal and modern signs. This collection was photographed in Isfahan and its surroundings and refers to its texture and historical buildings.
Mehdi Babadi is a photographer and painter living in Iran. He has held 9 solo exhibitions and participated in many group exhibitions in Iran and abroad. He also participated in various art festivals and competitions and was ranked. He is currently teaching photography. He has presented articles focusing on the basics of semiotics and fine art and collaborates with several domestic and university publications. He is also the founder and director of Khurshid Literary Association, which focuses on literary criticism.
