Ke sale teng confronts how family photo albums no longer have a fixed narrative but instead open us to reinterpret our past. Sometimes we rely on the family photo album as a way to understand what family is meant to be. What we often land up with is a grouping of images that have been constructed, and perhaps do not account at all for the histories and memories that are connected with that album.
Although primarily a photographer, Lebohang Kganye often incorporates her interest in sculpture, performance, installation and film in her work. She has participated in major exhibitions locally and internationally, including Give me Yesterday, The Prada Foundation, Milan (2017), Africa is No Island, MACAAL, Marrakesh (2018), Tell Freedom, Kunsthal KAdE, Amersfoort (2018), Recent Histories, an Arthur Walter collection travelling exhibition (2016 - Ongoing), Not the Usual Suspects, Iziko National Gallery Cape Town (2019) or Alpha Crucis, Astrup Fearnley Museet, Oslo (2020).
