'Aurea' combines elements gathered during a trip to the river with vintage backdrops. Natural and artificial forms merge to recreate a landscape that does not truly exist, vet feels ancient. Between water, plants, and colour, the images drift between memory and fabrication.
Travezán began his career in Peru as a photojournalist, later moving to London to expand into fashion and portraiture. His work has appeared in magazines and newspapers worldwide including i-D, Vogue, Elle, The Guardian, El País, and The Huffington Post. He has photographed leading figures in science, the arts, and culture. After briefly returning to photojournalism in 1999 to cover the Kosovo War, he now focuses on fine art while also exploring music, GIFs, and video.
