In today’s hypervisual culture, where attention is currency and selfhood is often a spectacle, I seek to make space for stillness. These women do not ask to be seen. They exist. And their existence unsettles our expectations of narrative, time, and representation. By reimagining the painterly tradition through contemporary tools, I aim to reclaim visual language for a form of presence that is both ancient and postmodern?familiar yet unplaceable, silent but unignorable.
