About two years ago, I began my first attempts at a photographic project with the guiding idea: nature meets technics. The concept of juxtaposing delicate and small creatures from nature with industrially manufactured pieces of e.g., steel was at first a harsh contrast, almost a provocation. In the end, however, an aesthetically harmonious unity emerged from each composition. Perhaps one can even say: the effect of nature and human-made technical components, which are so different in their sensation and perception, merge here into a kind of photographic symbiosis.
Adam is scientist, photographer, and artist whose distinctive style and photographic sensibility have emerged from an inquisitive and exploratory creative process. Through extensive planning and meticulous manual work, he creates macroscopic artworks that unite living organisms with technical components, as well as motifs from inanimate nature. Recently, he has focused on compositions involving metals, exploring their interplay with light to produce abstract and visually striking images. Each piece is crafted with exceptional care and attention to detail, reflecting both scientific precision.
