Every frame of this music video is a high quality photograph. I've discomposed a series of chosen images I had worked on, in a way that looks like film/video frames, but the reality is that they're thousands of photographs, considering that they're 25 of them every second and the 'film' lasts 3:31 mins. The music I've done as well.
Travezán began his career in Peru as a photojournalist, later moving to London to expand into fashion and portraiture. His work has appeared in magazines and newspapers worldwide including i-D, Vogue, Elle, The Guardian, El País, and The Huffington Post. He has photographed leading figures in science, the arts, and culture. After briefly returning to photojournalism in 1999 to cover the Kosovo War, he now focuses on fine art while also exploring music, GIFs, and video.
